'Form is emptiness, and emptiness is form.'
Between Ink and Air
Paintings (掠れ - The Trace)
For this piece, I wanted to play with extreme contrast—using rich, dry brushstrokes for the heavy foreground rocks and pines, while letting a single, watery sweep define the distant mountain in the mist. By leaving the center completely empty, the unpainted paper naturally becomes the water carrying the tiny solitary boat.